Following on from Jim's excellent demonstration, the workshop was well attended by some members who had been the previous evening and some who were returning to a Society event for the first time. Jim was on hand to offer advice and encouragement and at the end of the day there was an impressive collection of work in various mediums.
It was a real pleasure to return to our usual venue for the first face-to-face event in far too long and there was an excellent turnout for what proved to be an informative and enjoyable demonstration by Jim who is a long-standing friend of the Society. It was so good to see so many familiar faces and quite a few new ones. Let's hope this is the first of many such occasions over the coming months.
This was our first opportunity to meet the public for, what seems like, a very long time and we had a large turnout of members showing what they had achieved over the previous months. The first day was blessed with glorious weather and there was a vibrant atmosphere with lots of visitors stopping for a browse. Although Bank Holiday Monday was not quite so good weatherwise the exhibition still attracted a lot of interest. By all accounts it was an enjoyable event for all those who took part – including quite a few new members – and there were plenty of sales.
After days of cloudy skies the sun finally broke through for our Plein air painting morning in Barbara Thaxter's beautiful garden. Again we were spoilt for choice on subject matter some opting for flowers, others the garden shed or fruit trees and some even finding inspiration from a set of old gardening implements. A thoroughly enjoyable morning. Many thanks to Barbara for once again sharing her garden with us.
After a year’s break it was a pleasure to resume normality this summer by holding our popular workshops in Long Ditton Village Hall. Ronnie Ireland’s day was entitled ‘’Sunshine and Shadow’’, a theme which he interpreted broadly, and talked us through the positive effect of darks in composition with a visual presentation and gave us many tips which have been very useful. Freda Anderson’s workshop, ‘’Figures in a Landscape’’, was equally enjoyable and enlightening. Everyone appreciated Freda’s enthusiasm for her subject and the individual attention she gave us.
It was agreed that these workshops are a really enjoyable way of mixing tuition with socialising.
Our third session was kindly hosted by Margie Haslewood whose garden, backing onto the Rive Mole, provided us with a wonderful water setting with unique views over weeping willows, boats and birdlife. Again, another successful social and creative summer morning event enjoyed by everyone who attended. Thank you Margie!
Please note, the next event will be held on Thursday 19th August in Barbara Thaxter’s garden. There are still two places available and those interested in attending should contact Sue Monteath at firstname.lastname@example.org.
In late June a small group of members met in the Woodland Gardens in Bushy Park for a second morning of sketching and painting. Spanning 60 acres and described as ‘a beautiful oasis of vibrant plants, towering trees and shimmering waterways’ the gardens certainly lived up to this description and along with the wildlife (even a snake!) provided plenty of inspiration for some successful artwork. The group met at the end of the morning in the Pheasantry Café for well earnt refreshments and a sharing of their creative endeavours!
A huge thank you to Paul Potter for once again opening his beautiful garden to members for a morning of painting and sketching, enjoyed by all. The sun shone, dragonflies hovered over the pond and buzzards drifted in the skies above - altogether an idyllic setting for the first event post lockdown! Whilst some focused on completing their paintings others took a more leisurely approach, simply enjoying the surroundings, sketching and chatting to other members. Paul's garden truly provided the perfect setting with so much lovely subject matter - thank you again Paul for sharing it with us.
A few words from our judge, Sharon Hurst:
Everyone should be very proud of their work, I was most impressed with the standard put before me. Choosing was very difficult indeed. I think the one thing that is consistent is the quality of light that each and every one of you has managed to imbue in the work. I have felt the heat from where I have been standing in the shadows, watched the wind whip through the grass on Bodmin, seen the sunset on the Nile, and heard the sea on both English and Mediterranean coasts. I want to sit on that bench looking out across the sea. You have created the atmosphere perfectly. Thank-you for the imagined journeys…
1st prize went to Stuart Baker (Samaria Gorge, Crete), 2nd prize to Margie Haslewood (Under an African Sky) and 3rd to Cally Palmer (Solstice Dreaming). Works by Rosemary Gunkar (London Unlocked), Gillian Berryman (Memories of Iceland) and Colin Kyte (Solitude on the Reef) were highly commended.
The Autumn Fair ended on 31st December and although sales have been modest, the Members Gallery has never had so many visits and so we can count the event a success from that point of view.
In all 44 members took part and we thank you all for participating in our first on-line exhibition. We are pleased with how smoothly the whole project went and have learnt a lot should this year also be ‘upset’ by Covid 19. We sincerly hope of course that that doesn’t happen and we all get back to some kind of normality soon.
The Challenge has been met and the results of our efforts have been available to see on the website. The committee would like to thank all those who participated – all winners in our opinion. There were a few problems with the voting procedure at the beginning and consequently it was decided to rely on the votes of our members to select the front-runners. The overall winner was Carol Morgan with 'Tulips and Stripes' followed by Carol Morris with 'Bulb Planting' and there was a tie for third place between Iris Hawkes with 'A Mystery' and Margie Haslewood with 'Just Three'.
With thanks to Paul, our Chairman and to committee member Barbara for throwing open their beautiful gardens for members' sketching mornings. Sadly rain threatened a wash out for the first event held in Barbara's garden. But a few hardy Members braved the rain, one member describing it as 'the first time they had painted wet on wet in the wet!'. Luckily the rain held off for Paul's garden event which once again was a huge success and thoroughly enjoyed by all.
A huge thank you to Paul Potter for throwing open his beautiful garden to members of the art society for a morning of sketching and painting. It was a glorious warm (and partly sunny) morning, perfect conditions for Plein air painting. We were spoilt for choice when it came to subject matter with lots of plant filled nooks and crannies to explore, although the lily pond and apple trees proved to be firm favourites along with the plant covered trellises. Plus there was plenty of space to comfortably social distance. A very successful event enjoyed by all.
There was a great response to the challenge of the painting competition and Ronnie Ireland was faced with a daunting task in choosing the winners. After much deliberation he chose Barbara Thaxter as first prize winner with her delightful rendering of 'The end of my garden in lockdown'. She was just ahead of Stuart Baker with 'Sunrise in Bushy Park' and Jo Ellis with 'Walk on a quiet side'. However, as far as the committee is concerned everyone who took part is a winner and the quality of work across the board was exceptional. Arrangements for a new challenge are under way.
CANCELLED! Unfortunately because of the ongoing Coronavirus crisis this workshop had to be cancelled.
Following on from the previous evening’s demo by Chris Forsey, members gathered to attempt their own evocations of a coastal landscape. It was another full house and Hildegarde was on hand to offer help and encouragement as well as illustrating some hints and techniques with a painting of her own. At the end of the session the 'gallery' of work made an impressive display and the afternoon was rounded off with an appraisal of the paintings by Hildegarde with plenty of useful advice.
A full house welcomed back the ever-popular Chris Forsey for a demonstration of his approach to acrylic painting. His subject was the harbourside at Polperro bathed in early morning light. His surface was mounting board prepared with gesso and his paints were a variety of brands - including some budget ones - as he said 'it's quite possible to achieve that 'ooh-la-la' effect using relatively cheap materials'. On a cool background he quickly established the structure of the painting by introducing the dark areas and then in a deceptively effortless process developed the picture into a convincing evocation of this Cornish harbour. Finishing off with some white highlights, the demonstration concluded with a spontaneous round of applause from the audience - very impressive and a great example to follow at the workshop on Saturday.
A little later than anticipated because of terrible traffic, but finally the eagle landed - or more correctly the Siberian Eagle Owl together with her companions the Harris’s Hawk, the Gyr Falcon and the Sunda Scops Owl and, of course, Alan their handler. For the rest of the afternoon they enthralled their audience. They proved to be challenging subjects but everyone was thoroughly absorbed in trying to capture their unique beauty. A great afternoon.
After Freda's very informative talk on Friday evening, members and guests returned with pastels at the ready for an afternoon trying to put into practice what was learnt in her demo. Working from a variety of sources members created a variety of floral still life studies and Freda was on hand with valuable help and advice. The end results provided an impressive finale to a thoroughly enjoyable afternoon.
The week-end of flower studies in pastels opened with a demonstration by Freda in preparation for the workshop on Saturday. Her wide-ranging talk started with choice of subject, the importance of lighting and composition on the page. The importance of surface was discussed and she recommended 'Colourfix' paper which has a slightly abrasive finish - it's a bit pricey but the final work does not need fixative spray. Her preferred pastels are 'Unison' and she stressed the importance of having a sufficient range of colours to use them without mixing on the surface too much. She also talked about layering different colours to achieve the desired effect and combining the soft pastels with charcoal and hard Conté pastels. At the end of the evening we had plenty of information to put into practice the following day.