I spent the first adult years of my life as a cartographer, followed by forty years as a nursery/ infant teacher while raising a family. It is only since retiring I have had time to follow my love of drawing, and cautiously to venture into painting. It was a natural progression to move into pastels, inspired by painting our home-bred foal. I was then requested by friends to paint their animals.
Workshops with Trevor Waugh developed an awareness of the vibrancy that can be created in a painting by the selective use of colour. My early animals involved painting black horses, grey horses, white and so on. These days they involve a multitude of colours, but rarely black! I am very aware of the importance of tonal values, getting great pleasure from producing a painting with strong lights and darks. I love to paint sunlight and shadow, and try to create a ‘feel good factor’ in my paintings.
I also love achieving individual personalities in the eyes of both animals and human portraits. I greatly enjoy the challenge of creating a painting from several sources. These days, I work mostly in oil, pastel or acrylic.
sold
sold
sold
sold
sold
sold
sold
sold
sold
A Big Ball of Fluff (Pastel, 290x210mm, framed, £130)
A Corner of My Garden (Oil, 270x390mm, unframed, £120)
At the End of the Garden (Acrylic, 330x400mm, unframed, £80)
Double Trouble (Pastel, 220x300mm, framed, £150)
Mountain Stream (Acrylic, 360x360mm, unframed, £80)
Out for the Count (Pastel, 220x300mm, framed) SOLD
Paphos Lighthouse (Oil, 280x380mm, unframed, £120)
The Marshes at Dusk (Acrylic, 290x390mm, unframed, £70)
The More we are Together (Pastel, 210x290mm, framed, £150)